《橋上的蘇宜士掀開了被子》The quilt gets out of the bridge while Su Yi-Shi is...


大可委託製作
王永安作品
2021
Site: Thinkers’ Studio

《橋上的蘇宜士掀開了被子》從按摩師以觸覺作為身體佈署先決感官的立場,發展有別於視覺霸權所產生的敘事邏輯,探討了觸覺中的語言矛盾、觸覺記憶的謬誤以及觸覺主導的潛顯意識中,性別流動與身體代理的主體能動性。




在線上虛擬空間中,假設蘇宜士掀開與不掀開被子所演化的兩種情境,一是以催眠敘事皮膚與環境之間的關係,或是以清晰口條敘述身體內外部之間的流動狀態。對應物理世界中表演者將身體作為雙重空間中的觸覺系譜媒介,掀開被子的是觀眾還是蘇宜士,將由觀眾在閉上眼睛與關上耳朵,並嘗試在模糊的身體邊界尋找方向感的過程中,相繼梳理開來。





“The quilt gets out of the bridge while Su Yi-Shi is..." challenges the dominant visual narrative and delves into the linguistic contradictions, false memories, and subjectivity of touch in a world increasingly shaped by the intersections of brainhood and algorithm. The work explores the fluidity of gender and body-ownership through touch-based performances that prioritize the sense of touch as the primary mode of body engagement.


There are two scenario performance settings, one is physical on site, the other is virtual.

In the virtual performance, the audiences are invited to experience two distinct scenarios – one that blurs the relationship between the skin and the environment through hypnotic storytelling, and another that narrates the fluid states between the body's internal and external spaces. The performer's body serves as a touch-based mediator in a dual space, raising questions of agency as to whether it is the audience or Su Yishi who unveils the quilt, which is a piece of transparent plastic cover. In the physical world, the performer's body serves as a sensory mediator in a dual space, as the audience decides whether it is the audience or Su Yishi who raises the quilt, unfolding through the process of closing their eyes and ears and seeking direction within the blurry boundaries of the body.




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「橋上的蘇宜士如果沒有掀開被子,掀開被子的可能就不是他了。」







如果沒有掀開被子,現在,爾後,延期再延期。
最後期限是蘇宜士眼底折射尾側的水潤:





「這水帶著表面張力般地不可親近之罪。」




  
暴力的介入,即使瞬間萎縮,他能順著萬有引力、如同所有水滴的速率,溶入血流成河的潛意識紋理。









如果掀開被子的不是他了,再下一次的昇華,蘇宜士結成北極冰,渴望著暖室的異常,能夠帶來溫度的驚喜。










然而又再一次的,
連速度都還沒能構成得完整,蘇宜士成為大西洋東岸的,沿著岸邊的逆紋浪花。


如果掀開了被子,這次,蘇宜士下定決心:




「成為火山口的濕氣吧,我不要再順著地球。」


氣體拽著蘇宜士的所有身體、聲體跟生體,他奔向的是大氣層了,在和空氣的振動交纏中,擺盪出耳朵。















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演出製作團隊

編導演|王永安
製作與行政總籌|大可創藝
計畫導師暨導演顧問|符宏征
表演|王永安、洪信惠、蕭景馨
研調暨課程助理|佐佐木康介
技術統籌暨舞監|蘇呈軒
聲音設計|卓士堯
原創音樂|Coralie Gauthier
平面設計暨宣傳照攝影|林育全
執行製作|葉佩韋
行銷宣傳暨票務|賴冠妤
贊助單位|財團法人國家文化藝術基金會、新北市文化基金會

Production: DuckArt Studio
Director/Artist/Performance/Script: Wang Yung An
Original Music: Coralie Gauthier
Sound Design: Vincent Juo
Senior Director Consult: Fu Hong-Zheng
Photograph: Lin, yu-quan
Detail Crew List: DuckArt Studio